From ET Online:

ETonline: What attracted you to Java Heat? Kellan Lutz: The script. I really love action movies; I love being physical, I love being the hero. But there’s not a lot of good ones that are well-written, so when I read Java Heat, it piqued my interest. I was excited to work with Conor Allyn [director/writer], who had such a great, clear vision. Plus we got to film in Indonesia, where I’d never been.

ETonline: How did you like Indonesia?
Lutz: I was pretty busy working, but our movie shot on 35 different locations, so it was a blessing to be able to see the countryside and the palaces while filming. It’s a really beautiful place, but to see the poverty in that way blew me away. It’s tough for them, but they always have smiles on their faces even though some of them have so little. But the government really opened their doors and said, “You wanna crash a car on our streets? Sure! We’ll lock the streets down!”

ETonline: The action is really amazing — how did the required physicality compare to your past roles?
Lutz: I’ve done some really cool action movies, I have to say, and it always puts a smile on my face to reminisce about the fight training I’ve done, or learning how to use a trident. But doing a movie where you’re using practical explosions and put fire gel on yourself and feel that blaze all over your body while shooting guns, is just incredible. And everything I learn for every project gets put into the next one. Like for Generation Kill, I learned you are supposed to tuck your shoe laces into your boots because otherwise it’s disgraceful. My brother is in the Army, so when my brother says, “I noticed your laces were tucked in, good job bro,” it makes my day. The causal viewer may not notice, but I take that stuff into every role I do, and it makes me smile even if no one else notices. That education is one of the great things about every new role I take. I am applying previous work to every new character.

ETonline: Syrup is about how you market a product. When it comes to your career, how much do you think about what each role means to the overall trajectory of your career?
Lutz: I’m very hands-on in my career. I think I read more scripts than anyone on my team because I want my heart in every role. Twilight was such a blessing because it opened so many doors and we get so many scripts thrown at us as a result. But I really don’t want to take a role for the money or because someone tells me it’ll make me famous. I don’t care about any of that. I’m blessed to have the ability to be choosy and patient. You know, it’s tough turning down work, especially when your team says it’s a great independent [film] that will balance out your action work, but I just have to listen to my heart. It’s tough to be unemployed and wait for a year, like I did for Tarzan, and then another year, like I did for Hercules, but you feel better at the end of the day because you know it’s right. Life’s too short and I really want to enjoy what I’m doing, otherwise there’s no reason to do it. Simple as that.

Read the full interview here

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